Trigger Types and Trigger Delay - LynnBlakeGolf Forums

Trigger Types and Trigger Delay

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Old 06-05-2006, 10:38 AM
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Annikan UNDO vs. Mathew Max-Out
Originally Posted by annikan skywalker

How would you get more Trigger Delay in Matthew's Stroke (not saying it needs it)?



How would you get the Trigger Delay OUT of Annikan's motion

So let's see what we can do to Max Out one and Undo the other . . .

Paying particular attention to Annikan's 4th Frame and Mathew's 3rd Frame . . .

Holla back
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Last edited by 12 piece bucket : 06-05-2006 at 10:40 AM.
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Old 06-05-2006, 11:15 AM
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Originally Posted by 12 piece bucket
How would you get more Trigger Delay in Matthew's Stroke (not saying it needs it)?



How would you get the Trigger Delay OUT of Annikan's motion

So let's see what we can do to Max Out one and Undo the other . . .

Paying particular attention to Annikan's 4th Frame and Mathew's 3rd Frame . . .

Holla back
Annikan's #4 Accumulator seems more intact compared to Mathew.
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Old 06-05-2006, 11:23 AM
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Bucket: How would you get more Trigger Delay in Matthew's Stroke (not saying it needs it)?

I'll hazard a guess: introduce him to Drag Loading, for example compare frame 3 with photo 10-19-C #2 (page 195 of the 6th edition)
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Old 06-05-2006, 12:08 PM
dkerby dkerby is offline
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12 Piece Bucket - I think that you are right on to maintain
the Flying Wedges. Seems like Hogan got his right elbow way
in from the get go (refering to the demonstration on Shells
wonderful world of golf). Interesting, I don't see any of
the pictures in this forum where the guys get the elbow inside
the line of sight before release. Looking at previous pictures, Seems that Lynn gets the right elbow inside the line of sight before release, but Ted doesn't? The trick has to be able to do it while maintaining the flying wedges. Thanks again, Donn
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Old 06-05-2006, 04:06 PM
EdZ EdZ is offline
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Originally Posted by Weightshift
Bucket: How would you get more Trigger Delay in Matthew's Stroke (not saying it needs it)?

I'll hazard a guess: introduce him to Drag Loading, for example compare frame 3 with photo 10-19-C #2 (page 195 of the 6th edition)

I suspect his left hand grip needs to be adjusted a bit, too much in the palm, heel pad not on top. Without that change he can't get any more delay than he has now. (noted in other thread re: his sequence)
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Old 06-05-2006, 05:31 PM
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Edz, can you go into more detail on this (why less in the palm helps, etc..)? Maybe you've posted about this in an older thread and could simply provide the link?
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Old 06-06-2006, 09:45 AM
EdZ EdZ is offline
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Originally Posted by bambam
Edz, can you go into more detail on this (why less in the palm helps, etc..)? Maybe you've posted about this in an older thread and could simply provide the link?

A bit of anatomy and a touch of geometry involved, but in a nutshell the palm left hand grip does not allow for a large enough angle between the left arm and club (assuming a flat left wrist). Getting the grip under the heel pad allows the same cock/uncock travel in the left wrist to create a much larger angle with the left arm, while still being basically flat. Of course one can always go double cocked (Hogan), but this requires either perfect CF Rhythm, or a non auto release.
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Old 06-05-2006, 06:04 PM
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Originally Posted by EdZ
I suspect his left hand grip needs to be adjusted a bit, too much in the palm, heel pad not on top. Without that change he can't get any more delay than he has now. (noted in other thread re: his sequence)
Are you referring to:

The key I feel to my stroke, inorder not to have throwaway is to aggressively use my extensor action...constantly pushing downwards hard with my right arm towards the plane line through 'pp3' (instead of pp1) to maintain a flat left wrist. It is also this factor I believe that causes my gradual release. I very much concentrate on the active pressure of the extensor action through pp3 'downwards' towards the plane line. Like your holding a knife in the right hand keep stabbing the pressure downwards with pp3. The right forearm is very active with its extensor action....
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