Uhhh . . .what exactly did you give to me??? Do I need to get a shot or something?
I offered you another perspective on Component compensations.
It's a Glass "half empty" or "half full" kinda thing. Compensations aren't always a bad thing. We all need them. Compensations are bad when you use one mistake to correct another.
I offered you another perspective on Component compensations.
It's a Glass "half empty" or "half full" kinda thing. Compensations aren't always a bad thing. We all need them. Compensations are bad when you use one mistake to correct another.
One in particular, which I don’t find annoying as Homer did, is that David reverse rolls his right hand at the start of the downswing. He needs that to compensate for his Single Wrist Action Backstroke (because of his 10-2-D Grip) to keep his Clubshaft On Plane to Sequence his Snap Release. 10-18-B Downstroke.
One in particular, which I don’t find annoying as Homer did, is that David reverse rolls his right hand at the start of the downswing. He needs that to compensate for his Single Wrist Action Backstroke (because of his 10-2-D Grip) to keep his Clubshaft On Plane to Sequence his Snap Release. 10-18-B Downstroke.
His wide open body geometry at Impact compensates for his 10-2-D grip.
His wide open body geometry at Impact compensates for his 10-2-D grip.
Hook grip, slice swing, straight ball flight. I'll give you that it is a compensation, but I think it is ideal. You can kill it with minimal clubface rotation, minimizing side spin.
Meanwhile a guy that started up Natural Golf is still claiming that people like Jim Furyk are so accurate because of pure talent. Too many have done it too effectively for me to buy that argument.
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"In my experience, if you stay with the essentials you WILL build a repeatable swing undoubtedly. If you can master the Imperatives you have a champion" (Vikram).
The reason you can't sustain the lag is because you are so eager to make the club move fast (a reaction to the intent of "hitting it far"). So on a full shot you throw it away too early, which doesn't happen for your short chip. (bts)
His wide open body geometry at Impact compensates for his 10-2-D grip.
Do you think these are "compensations" or compatible components?
Consider what plane he swings down on . . . can you put it the stuff together in Chapter 10 to make a stroke that works?
So you have identified in your posts . . . the following . . .
1. Turned Left Hand
2. Open Body
3. "Late Strike" - please tell me what you mean by that
4. "No Hip Action" - what does that mean?
Address #3 and 4# . . .
And
Would you agree that he is a "shut faced" player? If so, what does that mean? And what do you think has to happen inorder to play shut?
What plane do you think he is using in the downstroke? What do you think has to happen in order for him to stay on plane based on the 4 things you identified above?
Talk to me . . .
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Aloha Mr. Hand
Behold my hands; reach hither thy hand
Last edited by 12 piece bucket : 02-08-2008 at 11:37 PM.
Do you think these are "compensations" or compatible components?
Consider what plane he swings down on . . . can you put it the stuff together in Chapter 10 to make a stroke that works?
So you have identified in your posts . . . the following . . .
1. Turned Left Hand
2. Open Body
3. "Late Strike" - please tell me what you mean by that
4. "No Hip Action" - what does that mean?
Address #3 and 4# . . .
And
Would you agree that he is a "shut faced" player? If so, what does that mean? And what do you think has to happen inorder to play shut?
What plane do you think he is using in the downstroke? What do you think has to happen in order for him to stay on plane based on the 4 things you identified above?
Talk to me . . .
He is not a shut-faced player.
Swinger, Sequenced Release, Horizontal Hinge. He uses 10-18-B Downstroke.
Hybrid Mode
