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Old 02-06-2010, 03:34 PM
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12 piece bucket 12 piece bucket is offline
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Originally Posted by O.B.Left View Post
Buck, Okie et all, those first two photos of Hogan and Lee Buck..................I see a ton of loading at the #4 pp, 4 being the Master Accumulator, "the Rotor is the motor" (just made that up) and would you agree that 6M1 is a turning thing?........... That makes the ball flight sing......bound by wild desire............I fell in to a ring of fire.........

OK the nurse just came by with the meds and they're kick'n in hard but stick with me here while Im still lucid ish........Trevino is a hitter in most peoples books and he's got a whole lot of turn'n goin on. Like, goodaness gracious......

And see how he takes that right shoulder "to the end of the road". Hitters with pivot stalls.... my aunt Fanny!
Skooter . . . I would agree to a point on the "whole lotta turnin' goin' on" . . . but the point is WHEN WHEN WHEN does it go on?

If you look at the first to pics . . . I would submit to you that it AIN'T going on a whole lot relatively at that point. At that point you is seeing a WHOLE WHOLE WHOLE LOTTA SLIDIN' GOING ON. The shoulders are closed . . . reference the position of the left arm in relation to the "stance line" . . . that arm ain't in line with (covering) the stance line at that point. Now . . . also consider that Lee Buck plays from an OPEN stance too . . . so that's a double or triple does of "arm in". These two cats slide forward better'n anybody to ever lace 'em up. Now . . . do they turn and turn and turn a bunch . . . yes sir . . . but it's LATE.

ON THE LINE . . . . .



IN SIDE THE LINE . . . .



Within the components what do you see that would cause the difference in the position of the left arm?

The other thing I'd draw attention in those first to pics is the FACE . . . OPEN FACE vs. SHUT FACE.

The 3rd set . . . look at Mr. Hogan's face . . . see how it AIN'T CROSSED OVER??? . . . . two of the most ak-uuuuur-it to set it on a peg . . . and their club face is huuuuush husssssssh husssssh quiet . . . . hmmmmmmmmmmmmmmmmmmmmm.
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